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2CD Jeremy Siepmann: An Introduction To...Ravel's & Ma Mère L'oye

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An Introduction To...Ravel's & Ma Mère L'oye - CD

Jeremy Siepmann

Música clásica | Non-Music | Palabra hablada

2001

2CD

Naxos 17. julio 2001 Europa

Album

Más información IDENTIFICACIÓN: 709097 EAN: 0636943803226 Discogs ID: 33334205

Estado

Nuevo

Disponibilidad

Una semana

Precio

31,99 €

Disponibilidad

Una semana

Detalles

Título	An Introduction To...Ravel's & Ma Mère L'oye
Artista	Jeremy Siepmann
Formato	2x CD
Editorial	Naxos
País de edición	Europa
Fecha de edición	17. julio 2001
Lanzado por primera vez	2001
Peso	170 g
EAN	0636943803226
ID del producto	709097
Discogs ID	33334205
Reseñas en Discogs	2

Jeremy Siepmann: An Introduction To...Ravel's & Ma Mère L'oye versión en 2CD en estándar edición. Esta edición en concreto se lanzó en Europa en la editorial Naxos el día 17. julio 2001. Álbum abarca todos los géneros Música clásica, Non-Music y Palabra hablada.

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	Boléro
1	Introduction; Cue To Unadorned Bolero Rhythm, Part 1	2:29 min
2	Bolero Rhythm, Part 2: An Extended Variation Of Part 1	0:07 min
3	Motto Rhythm Complete	0:21 min
4	But Here We Have Snare Drums And Plucked Violas And Cellos	0:22 min
5	Section 1: Introduction Of 'The Theme'	0:37 min
6	Flute Continues With Part 2 Of Theme	0:48 min
7	Section 2: Complete Statement Of Theme By Clarinet As Flute Joins 'Motto' Group	1:30 min
8	Introduction Of 'discordant' Harp Into The Unfolding Picture	0:18 min
9	Section 3: Bassoon Introduces Closely Related Variant Of Theme	0:34 min
10	...But Then Veers Upwards, Slowing Rhythm And Introducing New Syncopation	0:59 min
11	Section 4: 'Petite' E Flat Clarinet Takes Over Theme, Including Variants	1:21 min
12	Section 5: Oboe D'amore Takes Over Theme But Returns To Its Original Form	1:34 min
13	Section 6: Theme Now Shared By Two Instruments: Muted Trumpet And Flute	1:16 min
14	Section 7: Tenor Saxophone Takes Theme As Trumpet Replaces Horn In 'Motto'	1:39 min
15	Section 8: Theme Taken By Soprano Saxophone 'Espressivo'	1:09 min
16	Section 9: Theme: Celeste, Piccolos And Horn	1:24 min
17	Section 10: Theme: Oboes, Horns, Clarinets	2:06 min
18	Section 11: Theme Taken By First Trombone, Complete With Jazzy Slides	1:40 min
19	Section 12: Theme: Flutes, Oboes, Clarinets, Sax	1:13 min
20	Section 13: Violins At Last Take The Main Tune, Joining Massed Winds	1:14 min
21	Section 14: Violins Divide Into Four Groups, Each 'Double-Stopping'	1:04 min
22	Section 15: Trumpet, Trombone 2 And Tuba Join The Foreground	1:18 min
23	Section 16: First Trombone And Soprano Saxophone 'Rejoin' Theme	0:56 min
24	Section 17: Fortissimo	1:26 min
25	Section 18: Entire Orchestra Now Employed, 'As Loudly As Possible'	1:18 min
26	Section 19: Sudden, Amazing Change Of Key, Lurching From C To E Major	1:20 min
27	Section 20: Key Now Lurches Back To C, As Jazzy Trombones Whiningly Protest	0:36 min
28	Cue To Complete Performance	0:20 min
29	Bolero (Complete)	16:16 min
	Ma Mère L'Oye
	Pavane de la Belle Au Bois Dormant
2-1	Opening Figure On Flute, Rising, Falling, And Then Repeated	1:04 min
2-2	Same Again, With Emphasis On Delicacy Of Scoring	0:30 min
2-3	Answering Variant, Accompanied By Plucked Double Basses	0:19 min
2-4	Reminder Of Opening Figure	0:18 min
2-5	...And Now Its Rythmical Mirror Image, Or Almost...	0:12 min
2-6	Answering Phrase 2: A Near Inversion, Over 'James Bond' Accompaniment	0:41 min
2-7	Pivitol Phrase 3, Reversing Direction But Keeping Rhythm Of Phrase 2	0:46 min
2-8	Reprise Of Phrases 1 And 2, But With New Accompaniment	0:39 min
2-9	Further Reprise Of Phrase 2, Now On Violin, Accompanied By Harp	0:40 min
2-10	Pavane (complete)	1:41 min
	Petit Poucet (Tom Thumb)
2-11	Introduction; Opening, With Multi-metre Rising Scales From Muted Violins	0:49 min
2-12	Changes Of Metre Continue As Solo Oboe Introduces Theme One	0:24 min
2-13	Oboe Yields To Cor Anglais For Theme Two, Against Lower Strings (Still Muted)	0:44 min
2-14	Theme One Returns, Shared By Clarinet And Flute, Muted Horn Added To Acccompaniment	0:25 min
2-15	'Motto' Rhythm Dominates As Intensity Increases From Lower Strings To Full Orchestra	0:46 min
2-16	Fear Subsides As Theme Two Returns, Again In Cor Anglais But Now In A Different Key	0:32 min
2-17	Sensational Sound Effects Evoke A Wood At Night, With Screechs, Cuckooing Etc.	0:44 min
2-18	Texture Thins; Theme One Returns, Delicately Scored For Strings And Piccolo	0:19 min
2-19	The Main Part Of Movement Ends, With Waltz-Like March , Featuring Flute (!)	0:28 min
2-20	Petit Poucet (Complete)	3:28 min
	Laideronnette, Impératrice des Pagodes
2-21	Introduction; Opening Bars, Followed By Theme One (Introductory)	2:00 min
2-22	Oriental-Orchestral Equivalent Of An Imperial Telephone Bill	0:15 min
2-23	...Oboe 'Answers' With A Slightly Varied Version Of Theme One	0:15 min
2-24	Expanded Derivative Of The 'Telephone Bill' Interupts The Theme Again	1:00 min
2-25	Fragments Of Themes In Flutes And Cor Anglais, With 'James Bond' Tag In Violins	0:24 min
2-26	'Gamelan' Muisc From Flute And Piccolo, Accompanied By Harp,Xylophone And Strings	0:32 min
2-27	Arrival Of Empress; Upper Strings Yield To Winds, Celeste, Harp And Gong (Very Discreet)	0:47 min
2-28	Laideronnette, Impératrice Des Pagodes (Complete)	3:57 min
	Les Entretiens de la Belle Et de la Bête
2-29	Opening Waltz Theme From Clarinet, With Important Downward Scale Figure In Strings	0:51 min
2-30	Characteristic Pattern Of Two Short Phrases Answered By A Long One	0:36 min
2-31	Clarinets, Flutes And Violas, With 'Sighing' Figure Derived From Downward String Mofif	0:21 min
2-32	Varied Reprise Of Opening, Entry Of The 'Beast' ; 'Watch It! Watch It!' (Contra-Bassoon)	0:32 min
2-33	Again The 'Beast' Growls, Again The Cautious Warning 'Watch It!' From The Winds	0:40 min
2-34	Derivative Of Beauty's Theme From Flute, Combined With 'Caution Motif' In Strings	0:38 min
2-35	'Beast's Theme' Rises In Pitch With Each Successive 'Growl' (Representing Hope?)	0:52 min
2-36	'Beauty' 'Beast' And 'Caution' All Combine Simultaneously	1:12 min
2-37	'Beast' Climbs Ever Higher, Handing Over To Bassoon Proper. (Contra-Bassoon)	0:49 min
2-38	Harp's Upward Glide Heralds The Moment Of Transformation; Love Song, Fear, Release	2:09 min
2-39	Les entretiens de la Belle et de la Bête (Complete)	4:14 min
	Le jardin féerique
2-40	Introduction; Opening Bars Are Unfurled By The Strings Alone	0:40 min
2-41	The Rhythmic Basis And Its Guises. First, A Question: 'Where Went My Childhood?''	1:23 min
2-42	The Question Intensified: 'Oh, Where Went My...Childhood?'	0:15 min
2-43	The Answer With Falling Inflection: 'Gone Is Your Childhood.'	0:20 min
2-44	The Plea: 'Bring Back My Childhood!'	0:14 min
2-45	The Response: 'Seek In...Your Mem'ry. 'There It...Will Be.'	0:25 min
2-46	Ravel's Use Of Tone Colour To Change The Feeling Of The Music	0:49 min
2-47	Further Illsustratoion Of The Same Point	0:27 min
2-48	Continued	1:44 min
2-49	The Nobility Of The Strings	0:45 min
2-50	Bells Evoked By French Horns; The Final, Opulent, Moving Climax Of The Whole Suite	1:11 min
2-51	Le Jardin Féerique (Complete)	4:11 min

Cargando...

Tenga en cuenta que las dimensiones pueden variar ligeramente de una pieza a otra.
Hombres
CAMISETAS		CAMISETAS DE MANGA LARGA
TALLA	CIRCUNFERENCIA DEL TÓRAX (CM)	TALLA	CIRCUNFERENCIA DEL TÓRAX (CM)
XXL	122	XXL	124.5 - 127
XL	117	XL	122
L	106.5	L	112
M	96.5	M	101.5
S	91.5	S	94

SUDADERAS CON CAPUCHA		SUDADERAS CON CREMALLERA
TALLA	CIRCUNFERENCIA DEL TÓRAX (CM)	TALLA	CIRCUNFERENCIA DEL TÓRAX (CM)
XXL	127	XXL	119.5 - 124.5
XL	122	XL	112 - 117
L	112	L	104 - 109
M	101.5	M	96.5 - 101.5
S	91.5	S	89 - 94


Mujeres
CAMISETAS		CAMISETAS SKINNY FIT
TALLA	CIRCUNFERENCIA DEL TÓRAX (CM)	TALLA	CIRCUNFERENCIA DEL TÓRAX (CM)
XL	91.5 - 96.5	L / XL	91.5 - 96.5
L	86 - 91.5	S / M	81 - 86
M	81 - 86	ONE SIZE	81 approx.
S	76 - 81

CHALECOS		SUDADERAS CON CREMALLERA
TALLA	CIRCUNFERENCIA DEL TÓRAX (CM)	TALLA	CIRCUNFERENCIA DEL TÓRAX (CM)
XL	91.5 - 94	L	96.5 - 101.5
L	86 - 91.5	M	91.5 - 96.5
M	81 - 86	S	81 - 86
S	76 - 81

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An Introduction To...Ravel's & Ma Mère L'oye - CD

Jeremy Siepmann