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The Complete Obscure Records Collection - CD, Box Set
Various
Pop | Música clásica | Música electrónica | Experimental | Contemporary classical | Ambient | Dance-pop | Postmoderne Musik
2023
Limited Edition
Dialogo
21. junio 2024
Italia
Compilation
Limited Edition
Album
Reissue
Remastered
Estado
Nuevo
Disponibilidad
Por pedido
Precio
222,99 €
277,99 €
Envío gratuito
Disponibilidad
Por pedido
Detalles
| Título | The Complete Obscure Records Collection 1975-1978 LTD |
| Artista | Various |
| Más información en | Limited Edition |
| Formato | 10x CD |
| Editorial | Dialogo |
| País de edición | Italia |
| Fecha de edición | 21. junio 2024 |
| Lanzado por primera vez | 2023 |
| Peso | 1080 g |
| EAN | 8018344499260 |
| ID del producto | 568253 |
| Discogs ID | 29110954 |
| Reseñas en Discogs |
4.87
|
Various: The Complete Obscure Records Collection 1975-1978 LTD versión en 10CD/Caja en de edición limitada remasterizado edición. Esta edición en concreto se lanzó en Italia en la editorial Dialogo el día 21. junio 2024. Álbum abarca todos los géneros Pop, Música clásica, Música electrónica, Experimental, Contemporary classical, Ambient, Dance-pop y Postmoderne Musik. Limited Edition.
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| The Sinking Of The Titanic | |||
| 1-1 | Gavin Bryars: The Sinking Of The Titanic | ||
| Composed By Gavin Bryars | Conductor [Conducted By], Piano Gavin Bryars | Double Bass Sandra Hill | Musical Box Angela Bryars | Strings The Cockpit Ensemble | Violin John Nash (2) | Voice [Spoken] Eva Hart | |||
| 1-2 | Gavin Bryars: Jesus' Blood Never Failed Me Yet | ||
| Composed By Gavin Bryars | Conductor [Conducted By] Gavin Bryars | Double Bass Sandra Hill | Guitar Derek Bailey | Orchestra The Cockpit Ensemble | Organ Michael Nyman | Tuba John White | Violin John Nash (2) | |||
| Ensemble Pieces | |||
| 2-1 | Christopher Hobbs: Aran | ||
| Composed By Christopher Hobbs | Organ [Reed], Toy Piano, Triangle, Drums John White | Organ [Reed], Triangle, Wood Block, Cymbal Gavin Bryars | Tubular Bells, Triangle, Cowbell, Toy Piano Christopher Hobbs | |||
| John Adams: American Standard | |||
| Composed By John Adams | Performer The San Francisco Conservatory New Music Ensemble | Recorded By [Recording Engineer (USA)] Alden Jenks | |||
| 2-5 | Christopher Hobbs: McCrimmon Will Never Return | ||
| Composed By Christopher Hobbs | Organ [Reed] Christopher Hobbs, Gavin Bryars | |||
| 2-6 | Gavin Bryars: 1, 2, 1-2-3-4 | ||
| Cello Cornelius Cardew | Composed By Gavin Bryars | Double Bass Gavin Bryars | Engineer Phil Ault | Guitar Derek Bailey | Oboe Andy Mackay | Piano Christopher Hobbs | Trombone Paul Nieman | Violin Stuart Deeks | Vocals Brian Eno, Celia Gollin | |||
| Discreet Music | |||
| 3-1 | Brian Eno: Discreet Music | ||
| Composed By Brian Eno | |||
| Brian Eno: Three Variations On The Canon In D Major By Johann Pachelbel | |||
| Conductor [Conducted by] Gavin Bryars | Engineer Peter Kelsey | Performer The Cockpit Ensemble | |||
| New And Rediscovered Musical Instruments | |||
| 4-1 | Max Eastley: Hydrophone | ||
| Composed By Max Eastley | |||
| 4-2 | Max Eastley: Metallophone | ||
| Composed By Max Eastley | |||
| 4-3 | Max Eastley: The Centriphone | ||
| Composed By Max Eastley | |||
| 4-4 | Max Eastley: Elastic Aerophone / Centriphone | ||
| Composed By Max Eastley | |||
| 4-5 | David Toop: Do The Bathosphere | ||
| Composed By David Toop | Trumpet [Bamboo Pan-Trumpets] Paul Burwell | Voice David Toop | |||
| 4-6 | David Toop: The Divination Of The Bowhead Whale | ||
| Bass Drum [3], Percussion [Large Lorry Hub], Fiddle [2 Stringed] Paul Burwell | Bass Guitar [Prepared] Brian Eno | Bells [3 Japanese Resting] Frank Perry | Composed By David Toop | Electric Guitar [Prepared], Lute [Bowed Chordophone] David Toop | Harp [Grill] Hugh Davies | |||
| 4-7 | David Toop: The Chairs Story | ||
| Composed By David Toop | Voice [Solo], Flute, Effects [Water] David Toop | |||
| Voices And Instruments | |||
| 5-1 | Jan Steele: All Day | ||
| Bass Guitar Steve Beresford | Composed By Jan Steele | Guitar Fred Frith | Guitar [Solo] Stuart Jones | Percussion Phil Buckle | Vibraphone Kevin Edwards (2) | Voice Janet Sherbourne | Words By James Joyce | |||
| 5-2 | Jan Steele: Distant Saxophones | ||
| Bass Guitar Steve Beresford | Composed By Jan Steele | Flute Jan Steele, Utako Ikeda | Percussion Arthur Rutherford | Piano Martin Mayes | Viola Dominic Muldowney | |||
| 5-3 | Jan Steele: Rhapsody Spaniel | ||
| Composed By Jan Steele | Piano Jan Steele, Janet Sherbourne | |||
| 5-4 | John Cage: Experiences No.1 | ||
| Composed By John Cage | Piano [Duet] Richard Bernas | |||
| 5-5 | John Cage: Experiences No.2 | ||
| Composed By John Cage | Voice Robert Wyatt | Words By E. E. Cummings | |||
| 5-6 | John Cage: The Wonderful Widow Of Eighteen Springs | ||
| Composed By John Cage | Percussion Richard Bernas | Voice Robert Wyatt | Words By James Joyce | |||
| 5-7 | John Cage: Forever And Sunsmell | ||
| Composed By John Cage | Percussion Richard Bernas | Voice Carla Bley | Words By E. E. Cummings | |||
| 5-8 | John Cage: In A Landscape | ||
| Composed By John Cage | Piano [Solo] Richard Bernas | |||
| Decay Music | |||
| 6-1 | Michael Nyman: 1-100 | ||
| Composed By Michael Nyman | Piano Michael Nyman | |||
| 6-2 | Michael Nyman: Bell Set No. 1 | ||
| Composed By Michael Nyman | Percussion Michael Nyman, Nigel Shipway | |||
| 6-3 | 1-100 (Faster Decay) | ||
| Composed By Michael Nyman | Piano Michael Nyman | |||
| Music From The Penguin Café | |||
| 7-1 | Simon Jeffes: Penguin Café Single | ||
| Cello Helen Liebmann | Composed By Gavyn Wright, Helen Liebmann, Simon Jeffes, Steve Nye | Electric Guitar Simon Jeffes | Electric Piano, Engineer Steve Nye | Performer Penguin Cafe Quartet | Violin Gavyn Wright | |||
| Simon Jeffes: Zopf | |||
| Cello Helen Liebmann | Guitar, Bass, Ukulele, Cuatro [Quatro], Spinet, Percussion [Mouth], Vocals, Sheng [Cheng], Effects [Ring Modulator] Simon Jeffes | Mixed By [Mixing] Steve Nye | Performer Penguin Cafe Orchestra | Violin, Viola Gavyn Wright | Vocals Emily Young | |||
| 7-9 | Simon Jeffes: The Sound Of Someone You Love Who's Going Away And It Doesn't Matter | ||
| Cello Helen Liebmann | Composed By Gavyn Wright, Helen Liebmann, Simon Jeffes, Steve Nye | Electric Guitar Simon Jeffes | Electric Piano, Engineer Steve Nye | Performer Penguin Cafe Quartet | Violin Gavyn Wright | |||
| 7-10 | Simon Jeffes: Hugebaby | ||
| Cello Helen Liebmann | Composed By Gavyn Wright, Helen Liebmann, Simon Jeffes, Steve Nye | Guitar, Bass, Ukulele, Cuatro [Quatro], Spinet, Electric Piano, Percussion [Mouth], Vocals, Sheng [Cheng], Effects [Ring Modulator] Simon Jeffes | Mixed By [Mixing] Steve Nye | Performer Penguin Cafe Orchestra | Violin, Viola Gavyn Wright | Vocals Emily Young | |||
| 7-11 | Simon Jeffes: Chartered Flight | ||
| Cello Helen Liebmann | Composed By Gavyn Wright, Helen Liebmann, Simon Jeffes, Steve Nye | Guitar, Bass, Ukulele, Cuatro [Quatro], Spinet, Electric Piano, Percussion [Mouth], Vocals, Sheng [Cheng], Effects [Ring Modulator] Simon Jeffes | Mixed By [Mixing] Steve Nye | Performer Penguin Cafe Orchestra | Violin, Viola Gavyn Wright | Vocals Emily Young | |||
| Machine Music | |||
| 8-1 | John White: Autumn Countdown Machine | ||
| Bassoon, Percussion Christopher Hobbs | Composed By John White | Double Bass Sandra Hill (2) | Double Bass, Other [Metronome] Gavin Bryars | Tuba, Other [Metronome], Percussion John White | |||
| 8-2 | John White: Son Of Gothic Chord | ||
| Composed By John White | Piano Christopher Hobbs, John White | |||
| 8-3 | John White: Jew's Harp Machine | ||
| Composed By John White | Jew's Harp Christopher Hobbs, Gavin Bryars, John White, Michael Nyman | |||
| 8-4 | John White: Drinking And Hooting Machine | ||
| Composed By John White | Percussion [Bottle] Brian Eno, Christopher Hobbs, Gavin Bryars, John White, Susan Dorey | |||
| 8-5 | Gavin Bryars: The Squirrel And The Ricketty Racketty Bridge | ||
| Acoustic Guitar [Steel Stringed] Derek Bailey | Composed By Gavin Bryars | Electric Guitar Brian Eno | Electric Guitar [Double-Headed] Fred Frith | Guitar [Concert] Gavin Bryars | |||
| Irma | |||
| 9-1 | Gavin Bryars, Tom Phillips, Fred Orton: Introduction | ||
| Composed By Fred Orton, Gavin Bryars, Tom Phillips | |||
| 9-2 | Gavin Bryars, Tom Phillips, Fred Orton: Overture | ||
| Composed By Fred Orton, Gavin Bryars, Tom Phillips | |||
| 9-3 | Gavin Bryars, Tom Phillips, Fred Orton: Aria : "I Tell You That's Irma Herself" | ||
| Composed By Fred Orton, Gavin Bryars, Tom Phillips | |||
| 9-4 | Gavin Bryars, Tom Phillips, Fred Orton: First Interlude | ||
| Composed By Fred Orton, Gavin Bryars, Tom Phillips | |||
| 9-5 | Gavin Bryars, Tom Phillips, Fred Orton: Aria: "Irma You Will Be Mine" | ||
| Composed By Fred Orton, Gavin Bryars, Tom Phillips | |||
| 9-6 | Gavin Bryars, Tom Phillips, Fred Orton: Second Interlude | ||
| Composed By Fred Orton, Gavin Bryars, Tom Phillips | |||
| 9-7 | Gavin Bryars, Tom Phillips, Fred Orton: Chorus: "Love Is Help Mate" | ||
| Composed By Fred Orton, Gavin Bryars, Tom Phillips | |||
| 9-8 | Gavin Bryars, Tom Phillips, Fred Orton: Postlude | ||
| Composed By Fred Orton, Gavin Bryars, Tom Phillips | |||
| The Pavilion Of Dreams | |||
| 10-1 | Harold Budd: Bismillahi ´Rrahmani ´Rrahim | ||
| Alto Saxophone Marion Brown | Celesta Richard Bernas | Composed By Harold Budd | Electric Piano Harold Budd | Glockenspiel Gavin Bryars | Harp Maggie Thomas (2) | Marimba Howard Rees, Jo Julian, John White, Michael Nyman | |||
| Harold Budd: Two Songs: | |||
| Harp Maggie Thomas (2) | Mezzo-soprano Vocals Lynda Richardson | |||
| Harold Budd: Madrigals Of The Rose Angel: | |||
| Celesta Gavin Bryars | Chorus Alison Macgregor, Lesley Reid, Lynda Richardson, Margaret Cable, Muriel Dickinson, Ursula Connors | Conductor [Chorus Conducted By] Harold Budd | Electric Piano Richard Bernas | Harp Maggie Thomas (2) | Percussion Nigel Shipway | |||
| 10-4 | Harold Budd: Juno | ||
| Composed By Harold Budd | Glockenspiel, Voice Gavin Bryars | Marimba, Voice Michael Nyman | Percussion, Voice John White | Piano, Voice Harold Budd | Vibraphone Howard Rees | Vibraphone [Vibes], Voice Jo Julian | Voice [Voices] Brian Eno | |||
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| Tenga en cuenta que las dimensiones pueden variar ligeramente de una pieza a otra. | |||||
Hombres |
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| CAMISETAS | CAMISETAS DE MANGA LARGA | ||||
| TALLA | CIRCUNFERENCIA DEL TÓRAX (CM) | TALLA | CIRCUNFERENCIA DEL TÓRAX (CM) | ||
| XXL | 122 | XXL | 124.5 - 127 | ||
| XL | 117 | XL | 122 | ||
| L | 106.5 | L | 112 | ||
| M | 96.5 | M | 101.5 | ||
| S | 91.5 | S | 94 | ||
| SUDADERAS CON CAPUCHA | SUDADERAS CON CREMALLERA | ||||
| TALLA | CIRCUNFERENCIA DEL TÓRAX (CM) | TALLA | CIRCUNFERENCIA DEL TÓRAX (CM) | ||
| XXL | 127 | XXL | 119.5 - 124.5 | ||
| XL | 122 | XL | 112 - 117 | ||
| L | 112 | L | 104 - 109 | ||
| M | 101.5 | M | 96.5 - 101.5 | ||
| S | 91.5 | S | 89 - 94 | ||
Mujeres |
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| CAMISETAS | CAMISETAS SKINNY FIT | ||||
| TALLA | CIRCUNFERENCIA DEL TÓRAX (CM) | TALLA | CIRCUNFERENCIA DEL TÓRAX (CM) | ||
| XL | 91.5 - 96.5 | L / XL | 91.5 - 96.5 | ||
| L | 86 - 91.5 | S / M | 81 - 86 | ||
| M | 81 - 86 | ONE SIZE | 81 approx. | ||
| S | 76 - 81 | ||||
| CHALECOS | SUDADERAS CON CREMALLERA | ||||
| TALLA | CIRCUNFERENCIA DEL TÓRAX (CM) | TALLA | CIRCUNFERENCIA DEL TÓRAX (CM) | ||
| XL | 91.5 - 94 | L | 96.5 - 101.5 | ||
| L | 86 - 91.5 | M | 91.5 - 96.5 | ||
| M | 81 - 86 | S | 81 - 86 | ||
| S | 76 - 81 | ||||
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