Kingston Sounds
3. marzo 2012
Reino Unido
Compilation
The beginning of the dancehall era in reggae history is commonly placed at the beginning of the 1980s. Following the culture of sound systems, the increasingly digitized beat was slowed down to suit the needs of dancers. Dancehall, however, was already evolving in the late 1970s, and in 1985 it conquered the reggae world with Wayne Smith's first...
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Detalles
| Título | Birth Of Dancehall (Black Solidarity 1976-1979) |
| Artista | Various |
| Formato | LP (vinilo) |
| Editorial | Kingston Sounds |
| País de edición | Reino Unido |
| Fecha de edición | 3. marzo 2012 |
| Lanzado por primera vez | 2012 |
| Peso | 230 g |
| EAN | 5060135760922 |
| ID del producto | 59849 |
| Discogs ID | 3694389 |
| Reseñas en Discogs |
4.64
|
Various: Birth Of Dancehall (Black Solidarity 1976-1979) versión en vinilo LP en estándar edición. Esta edición en concreto se lanzó en Reino Unido en la editorial Kingston Sounds el día 3. marzo 2012.
The beginning of the dancehall era in reggae history is commonly placed at the beginning of the 1980s. Following the culture of sound systems, the increasingly digitized beat was slowed down to suit the needs of dancers. Dancehall, however, was already evolving in the late 1970s, and in 1985 it conquered the reggae world with Wayne Smith's first computer-generated riddim, "Under Me Sleng Teng". The "Birth Of Dancehall" compilation sheds light on the time when groups like Soul Syndicate and Roots Radics began to slow down the beat and the first drum machines appeared. Producer Ossie Thomas was one of the grandmothers of dancehall. His label Black Solidarity released some of the earliest dancehall artists such as Triston Palmer, Robert French, Papa Levi, Puddy Roots and Earl B.
Álbum abarca todos los géneros Reggae, Roots-Reggae y Dancehall.
The beginning of the dancehall era in reggae history is commonly placed at the beginning of the 1980s. Following the culture of sound systems, the increasingly digitized beat was slowed down to suit the needs of dancers. Dancehall, however, was already evolving in the late 1970s, and in 1985 it conquered the reggae world with Wayne Smith's first computer-generated riddim, "Under Me Sleng Teng". The "Birth Of Dancehall" compilation sheds light on the time when groups like Soul Syndicate and Roots Radics began to slow down the beat and the first drum machines appeared. Producer Ossie Thomas was one of the grandmothers of dancehall. His label Black Solidarity released some of the earliest dancehall artists such as Triston Palmer, Robert French, Papa Levi, Puddy Roots and Earl B.
Álbum abarca todos los géneros Reggae, Roots-Reggae y Dancehall.
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| A1 | Tristan Palmer: Spliff Tales | 3:03 min | |
| A2 | Rod Taylor: The Lord Is My Light | 2:43 min | |
| A3 | Michael Palmer: String Up The Sound System | 3:16 min | |
| A4 | Tony Tuff: Never Trouble Trouble | 2:44 min | |
| A5 | Ashanti Waugh: Crime Act | 3:37 min | |
| A6 | Early B: Gate Man Get Fraid | 3:25 min | |
| A7 | Robert Ffrench: Eradication | 3:25 min | |
| B1 | Josey Wales: Let Go The Rhythm | 3:40 min | |
| B2 | Early B: Me Want Join The Army | 3:54 min | |
| B3 | Ashanti Waugh: Police Police | 3:19 min | |
| B4 | George Nooks: Crucial Corporal | 2:46 min | |
| B5 | Puddy Roots: Champion Bubbler | 3:37 min | |
| B6 | Sugar Minott: Everybody Wants | 3:33 min | |
| B7 | Sammy Dread: Wat Wah | 3:02 min |
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