LP Miles Davis: Sketches Of Spain DLX | LTD

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Sketches Of Spain - LP, CD, SACD

Miles Davis

Jazz | Contemporary Jazz | Modal

1960

Variantes:

LP Miles Davis: Sketches Of Spain DLX | LTD

Deluxe Gatefold Limited — Jazz Images

Jazz Images 30. diciembre 2016 Europa

Álbum Edición de lujo Edición limitada Reedición Stereo

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by...

Más información IDENTIFICACIÓN: 59485 EAN: 8437012830998 Discogs ID: 9204581

Estado

Nuevo

Disponibilidad

En stock última pieza

Enviamos mañana

Precio

13,89 € ~~25,99 €~~

El precio incluye IVA 21 %

Disponibilidad

En stock última pieza

Enviamos mañana

Detalles

Título	Sketches Of Spain DLX \| LTD
Artista	Miles Davis
Más información en	Deluxe Gatefold Limited — Jazz Images
Formato	LP (vinilo)
Editorial	Jazz Images
País de edición	Europa
Fecha de edición	30. diciembre 2016
Lanzado por primera vez	1960
Peso	230 g
EAN	8437012830998
ID del producto	59485
Discogs ID	9204581
Reseñas en Discogs	4.56

Miles Davis: Sketches Of Spain DLX | LTD versión en vinilo LP en deluxe de edición limitada edición. Esta edición en concreto se lanzó en Europa en la editorial Jazz Images el día 30. diciembre 2016.

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by actress Beverly Bentley and a concert Frances Taylor took him to. The result was majestic music in which Gil Evans bypassed the kitschiness of Rodrigo's original score and held his own with the help of Miles' formidable trumpet. In addition to the Adagio from Concierto, Gil Evans borrowed Manuel de Falla's "Will O' The Wisp" and adapted "The Pan Piper" from an aria for pan flute that Lomax had recorded in Galicia, and "Saeta" from a ritual chant of the same name that was sung to the accompaniment of the brass bands accompanying the processions in Seville during Holy Week. In this last piece and in "Solea," Miles draws on the glow of flamenco singing while departing from all traces of folklore. Original release: Columbia LP CS 8271, July 18, 1960 Producers: Teo Macero and Irving Townsend (tracks 1, 7, and 8), Teo Macero (tracks 2-6):Engineer: Fred Plaut November 20, 1959 (a) Miles Davis (tpt.) flh); Ernie Royal (tpt.); Bernie Glow (tpt.); Taft Jordan (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); John Barrows (frh.); Earl Chapin (frh.); Jimmy McAllister (tuba.); Al Block (fl); Eddie Caine (fl); Romeo Penque (oboe); Harold Feldman (oboe, cl); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 10. March 1960 (b) Miles Davis (tpt.); Ernie Royal (tpt.); Bernie Glow (tpt.); Johnny Coles (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); Joe Singer (frh.); Tony Miranda (frh.).); Bill Barber (tuba); Al Block (fl); Harold Feldman (fl); Danny Bank (bcl); Romeo Penque (oboe); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 15. November 1959 (c) staff similar to (b) - exact dates unknown All tracks were recorded at Columbia 30th Street Studio, NYC.

Álbum abarca todos los géneros Jazz, Contemporary Jazz y Modal. 180g Gatefold Vinyl Deluxe Limited Edition.