So much has been said and written about Miles Davis' "Kind Of Blue" that it is virtually impossible to summarize all the necessary information in the scope of these essays. We could simply state a few facts (the best-selling jazz album of all time in the world). We could try to explain why it is the best jazz album of all time, but the music wil...
Miles Davis: Kind Of Blue DLX versión en 2CD/DVD/Caja en remasterizado deluxe edición. Esta edición en concreto se lanzó en Europa en la editorial Columbia en colaboración con Legacy el día 26. octubre 2018.
So much has been said and written about Miles Davis' "Kind Of Blue" that it is virtually impossible to summarize all the necessary information in the scope of these essays. We could simply state a few facts (the best-selling jazz album of all time in the world). We could try to explain why it is the best jazz album of all time, but the music will do that for you. As Bill Evans stated in the original liner notes, the band did not play any of these songs before recording. Miles Davis wrote the themes before the tape was recorded, and the band improvised. The end result was fragile and strange. Recorded in two sessions in 1959, Kind of Blue works on many different levels and will continue to do so for many years to come. review: "The residue of inexplicability still remains because it took the six musicians only two sessions to record these five songs. A few words between takes and photographs by Don Hunstein are documented. Miles was aiming for a "middle register," exemplified by "So What," a pure tone. The record is a compendium of idioms such as blues, flamenco and ballad, which are intertwined here. Nothing was "composed", at most barely notated or announced." (rollingstone. de) "For the musicians who recorded it, Kind of Blue was just another recording when it came out in August 1959. The jazz community, however, quickly recognized the record as a classic. Jazz musicians were surprised by the album's genuinely different sound, which clearly paved the way for further modal exploration." (npr. org) "The music is at once romantic, austere, meditative, introverted and soulful. It is like an essay on the virtue of simplicity." (LA Times) "Kind of Blue presents an elegantly simple and stunningly beautiful new approach to jazz improvisation." (jazz. about. com) ""Kind of Blue" is widely considered the first modal jazz-based album, laying the foundation for much of the jazz of the 1960s and 1970s, the jazz revival of the 1990s, and heralding the free jazz movement. By bringing modal forms to a wider audience, it also influenced the development of rock and world music. This reputation is great and well deserved. "Kind of Blue" is, in short, one of those epochal albums that continues to grow in importance." (100greatestjazzalbums. blogspot. com)
Álbum abarca todos los géneros Jazz, Fusion, Contemporary Jazz, Modal, Bop y Hard Bop. Deluxe 50th Anniversary Collector's Edition.
Lista de canciones
CD1-1
So What
9:22 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Fred Plaut | Piano Bill Evans | Producer Irving Townsend | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD1-2
Freddie Freeloader
9:46 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Fred Plaut | Piano Wynton Kelly | Producer Irving Townsend | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD1-3
Blue In Green
5:36 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Fred Plaut | Piano Bill Evans | Producer Irving Townsend | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD1-4
All Blues
11:32 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Fred Plaut | Piano Bill Evans | Producer Irving Townsend | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD1-5
Flamenco Sketches
9:25 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Fred Plaut | Piano Bill Evans | Producer Irving Townsend | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD1-6
Flamenco Sketches (Alternate Take)
9:31 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Fred Plaut | Piano Bill Evans | Producer Irving Townsend | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD1-7
Freddie Freeloader (Studio Sequence 1)
0:51 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Fred Plaut | Piano Wynton Kelly | Producer Irving Townsend | Tenor Saxophone John Coltrane | Trumpet Miles Davis
CD1-8
Freddie Freeloader (False Start)
1:25 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Fred Plaut | Piano Wynton Kelly | Producer Irving Townsend | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD1-9
Freddie Freeloader (Studio Sequence 2)
1:26 min
CD1-10
So What (Studio Sequence 1)
1:53 min
CD1-11
So What (Studio Sequence 2)
0:11 min
CD1-12
Blue In Green (Studio Sequence)
1:56 min
CD1-13
Flamenco Sketches (Studio Sequence 1)
0:42 min
CD1-14
Flamenco Sketches (Studio Sequence 2)
1:09 min
CD1-15
All Blues (Studio Sequence)
0:18 min
CD2-1
On Green Dolphin Street
9:48 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Harold Chapman | Piano Bill Evans | Producer Cal Lampley | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Bronislaw Kaper, Ned Washington
CD2-2
Fran-Dance
5:48 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Harold Chapman | Piano Bill Evans | Producer Cal Lampley | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD2-3
Stella By Starlight
4:43 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Harold Chapman | Piano Bill Evans | Producer Cal Lampley | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Ned Washington, Victor Young
CD2-4
Love For Sale
11:46 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Harold Chapman | Piano Bill Evans | Producer Cal Lampley | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Cole Porter
CD2-5
Fran-Dance (Alternate Take)
5:51 min
Alto Saxophone Cannonball Adderley | Bass Paul Chambers (3) | Drums Jimmy Cobb | Engineer [Recording Engineer] Harold Chapman | Piano Bill Evans | Producer Cal Lampley | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
CD2-6
So What
17:28 min
Bass Paul Chambers (3) | Drums Jimmy Cobb | Piano Wynton Kelly | Tenor Saxophone John Coltrane | Trumpet Miles Davis | Written-By Miles Davis
Miles Davis was a seminal figure in the world of jazz, renowned for his innovative approach to music and his significant influence on the genre. Born on May 26, 1926, in Alton, Illinois, Davis quickly rose to prominence in the 1940s as a trumpeter, bandleader, and composer. He was ...
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